BlackBerry Z10 Global Price and Release Date

BlackBerry Z10 global Price and Release Date

BlackBerry has revealed the pricing and availability details of its BlackBerry Z10 smartphone, which was officially announced Yesterday (30th January). The smartphone will head to all the key world markets including UK, Canada and UAE.

UK

BlackBerry Z10 will be available in UK , starting from tomorrow and the smartphone will be available on pay monthly contracts and Pay as you Go plans from EE, OS, Vodafone, Phones 4u, BT, 3UK and from the Carphone Warehouse. Pricing of the device will vary from carrier to carrier, although the BlackBerry Z10 will be available fully subsidized on monthly pay contracts on all of them.

In UK, the Carphone Warehouse will offer the Z10 for free on contracts of £36 per month on most the major networks. Furthermore, Vodafone offers the latest BlackBerry Z10 for £29 on the £42 monthly rental plan, which includes unlimited calling and texts along with 2GB of internet. The device is up for grabs at free of cost for £47 monthly plan or £69 one-time payment on the £37 monthly plan.

EE charges £50 for the BlackBerry Z10 on a £41/month 2 year contract. The plan gives you 1GB of mobile data along with unlimited UK calls and texts.

Canada

Moving on to other regions, BlackBerry Z10 will be made available from February 5 in Canada and the smartphone will be available for $149.99 on a 3 year contract.

UAE

The Z10 will be heading to UAE, which is one of the important markets for BlackBerry, on February 10. BlackBerry Z10 will be available for an unsubsidized price of AED2,599.

US

The smartphone is expected to be available in US only in March, although you can start pre-booking your BlackBerry from today.

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Movie Review: Race 2

Cast: Saif Ali Khan, John Abraham, Deepika Padukone, Jacqueline Fernandez, Ameesha Patel, Anil Kapoor 
Director: Abbas-Mustan 
Rating: ** 

A Significant Chunk of Mumbai Filmdom’s creative output has changed for the better since the year 2008, the first quarter of which saw the release of Race, a Hollywood rip-off that had Bollywood critics run for cover.

Nearly five years on, the directing duo of Abbas-Mustan is still at it – cantering around aimlessly with a convoluted thriller that zips, zaps and zooms through an amoral landscape peopled by sharks and bloodhounds whose only trip in life is to settle old scores, hatch new conspiracies and, when necessary, lay murderous traps. 

On the face of it, Race 2 is a glitzy, action-packed entertainer. Scratch the surface – in fact, that is all there is to the film – and what you are left with is superficial style bereft of logic and substance. 

But, then, isn’t that the failsafe formula that has stood many a Bollywood pulp-maker in good stead over the years? 

Race 2 proves how difficult it can be for a producer to let go of an idea that yielded a box-office bonanza the first time around. The makers of this film obviously haven’t heard of, or do not believe in, the law of diminishing returns. 

Race 2 isn’t so much a sequel as an ill-advised rehash. Revenge, one character says, is a dish best served cold. Ideas, for sure, aren’t best served stale.

This is the second year in succession after 2012’s Players that Abbas-Mustan have the honour of unleashing the first Bollywood biggie of the year. Race 2, like Players, is big only on nausea-inducing clatter. 

The obvious question is: does this slapdash scurry to the finishing line really have the steam to replicate the kind of runaway box-office success that the prelude had enjoyed? 

Or will Race 2 go the way of the wayward Players, the Burmawalla siblings’ official Hindi remake of the British crime caper flick, The Italian Job?

At the heart of Race 2 are two wrangling men endowed with sculpted bodies and an ingrained air of masculine insouciance. 

The brawny John Abraham (replacing the relatively scrawny Akshaye Khanna of the earlier film) ensures that the sequel has a markedly higher beefcake and testosterone quotient. 

Keeping the boys company is a trio of bimbos all too eager to flash generous décolletage while playing second fiddle. All of the above is, of course, par for the course in an Abbas-Mustan film. 

Many of the faces and the principal location have changed in the sequel, but the overall veneer is pretty much the same. 

Race 2 is slickly packaged around dramatic twists and turns that fly at you thicker and faster than you care to count.

Race 2 moves at a fair clip and is packed with explosions, stunts and chases that might be crowd-pleasing. The trouble is that the narrative is too breathless for its own good.

To be fair, some of the implausible action sequences are startlingly good. However, they do not add up to a convincing enough whole that can paper over the holes in the narrative. 

Some Bollywood directors tend to labour under the misplaced belief that a film must be crammed, end to end, with relentless excitement, extravagant dance routines and ear-splitting background music for it to find ready takers. Excess does not always yield success. 

The action in Race 2 takes place in Turkey, where, we learn, that the Indian underworld is just as active as it is back home.

Ranveer Singh (Saif Ali Khan), a rare remnant from Race, scours the hot spots of Istanbul in search of the mastermind behind the killing of his beloved Sonia (Bipasha Basu in a cameo). 

In his risky quest, Ranveer has to contend with a slew of men and women who, like him, are out to make a quick buck and get the hell out of here. 

And, of course, there is ex-cop Robert D’Costa (Anil Kapoor), the only man who Ranvir seemed to be at ease with when the curtains came down on the first film. 

The private eye has a gloriously daft female assistant in the form of Ameesha Patel. The actress isn’t seen much these days on the screen. Just as well! 

Istanbul generally looks great as a backdrop through the lens of Ravi Yadav’s camera and much of the film is rather easy on the eye. But when the cars and bloodthirsty men get in the way, they only serve to muck up the view.

As for the women on the screen (Deepika Padukone and Jacqueline Fernandez), they strut around like wound-up automatons that are all decked-up but have nowhere to go. 

Is Race 2 on your mind? Get rid of it pronto. This is a wreck of a movie strictly for action junkies who might be looking for a feverish two-and-a-half-hour ride that is far more giddy than heady.

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L&T Net UP 13% to Rs 1,121.75 cr in Oct - Dec

Engineering and construction major Larsen and Toubro (L&T) Thursday reported over 13 percent jump in standalone net profit to Rs 1,121.75 crore for the quarter ended December 31, 2012, on the back of good sales and increase in other income.

The company had reported a net profit of Rs 991.66 crore in the same quarter last fiscal.
Net Sales of the company were up 10.34 percent to Rs 15,429.36 crore during the current quarter vis-a-vis Rs 13,983.61 crore in the October-December quarter of FY'12, it said in a filing to the BSE


Moreover, the company registered over 25 percent growth in its other income, mainly interests earned on deposits, to Rs 530.18 crore during the quarter, while its total expenditure went up over 10 percent to Rs 14,154.78 crore.

In a separate statement, L&T said that it received new orders worth Rs 19,545 crore during October-December period, registering a growth of 14 percent.

"Order inflow at Rs 19,545 crore during October-December 2012 recorded year-on-year growth of 14 percent ... International order inflow contributed 22 percent of the total order inflow during the quarter," it said.

As on December 31, 2012, the company had a total order book of Rs 1,62,334 crore, it further said, adding that major orders were received from buildings and factories, infrastructure and power transmission and distribution sectors.

In its outlook, the company said that Indian economy continues to grapple with challenges like persisting inflationary pressures, volatile currency market, tight liquidity concerns and impaired investment climate.

"Speedy implementation of proposed reforms and follow-through policy measures hold the key for rediscovery of the growth momentum. The recent policy measures...Are expected to improve economic outlook in India and revive the sentiments in the various sectors in which the company operates," it added.

With strong order book, the company expects to sustain its growth in the period ahead, L&T further said.

The engineering and construction business registered 11 percent growth during the quarter with a net segment revenue of Rs 13,858 crore. It also received most of the orders for the company at Rs 17,818 crore during the quarter.

L&T's electrical and electronics business segment registered a growth rate of 7 percent with a net segment revenue of Rs 830 crore, while revenue from the machinery and industrial products business was lower at Rs 563 crore due to slowdown in the manufacturing sector, the company said.

Shares of the company were trading at Rs 1,597.95 apiece on the BSE during late afternoon trade, up 2.35 percent from previous close.

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Fire on Friday, ‘Race 2’, ‘Aakash Vani’ and ‘Main Krishna Hoon’ at the box Office!

The much-talked about mega-budget action-packed thriller ‘Race 2’ is coming out this Friday alongside small romantic film ‘Akaash Vani’. If they don`t whet your appetite, you can choose 3D-animation film ‘Main Krishna Hoon’ to satiate your cravings for movies.

Sequel to the 2008 film, ‘Race’, Abbas-Mustan directed ‘Race 2’, a sleek film, is set in the exotic locales in Europe, with the backdrop of casinos and gambling.

The thriller that takes the legacy of ‘Race’ forward claims to be an edge-of-the-seat drama with high octane action, combined with twists that will take audiences on adventure-filled rollercoaster ride.

In part two, Anil Kapoor and Saif Ali Khan reprise their roles as Robert D`Costa and Ranveer Singh respectively from the previous film, while Deepika Padukone, John Abraham, Jacqueline Fernandez and Ameesha Patel are new additions to the cast.

Actress Bipasha Basu will reprise her role of Sonia in a special appearance in the film.

After the action and thrill of ‘Race 2’, next on the list is director Luv Ranjan`s romantic offering – ‘Akaash Vani’, about two youngsters - Akaash, played by Kartik Tiwari, and Vani, played by Nushrat Bharucha.

Both of them set out on their journey with a common destination - St. Stephen`s College in Delhi University. The moment they meet, their life takes an unusual turn.

Vani has a calming effect on Akaash, who in return instils a bit of a rebellious streak in her. In three years, Akaash and Vani become best buddies. But as the college ends, they have to part ways.

The film, produced by Kumar Mangat Pathak and Abhishek Pathak under the banner Wide Frame Pictures, is the journey of their struggle to find each other again.

This week the children will have something to look forward too. ‘Main Krishna Hoon’, a 3D-animation film featuring actress Juhi Chawla, who plays Kantaben in it, is coming out too.

In the film, Juhi runs an orphanage. She is impressed by a boy who arrives at the orphanage, braving the rain and the flood. His perseverance inspires her to name him as boy Krishna.

He is unhappy being alone in an orphanage and has a health disorder. To wipe away his tears and entertain the other children, Kantaben tells them inspiring stories about the naughty and loveable Lord Krishna. 

The film, directed by Rajiv S. Ruia, also has Katrina Kaif, Hrithik Roshan and Rajneesh Duggal in cameos.

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Annu Kapoor : Awards Always Motivate

His Role in ‘Vicky Donor’ has been appreciated with a Filmfare trophy, and an elated Annu Kapoor admits such honours always help boost an actor`s morale.

Still remembered for his comical act as an editor of a newspaper in hit movie ‘Mr. India’, the actor said: "Awards always motivate and make you want to up your game."

Made at a meagre budget of Rs.5 crore, the film on sperm donation went on to become one of the top earners of 2012 by raking in Rs.45 crore. More importantly, there was no big name in the cast, which consisted of two newcomers Ayushmann Khurrana and Yami Gautam along with Annu Kapoor and other character actors.

Annu has won Filmfare award for the best supporting actor in ‘Vicky Donor’, directed by Shoojit Sircar. 

“ ‘Vicky Donor’ will always be a very special film for me because this is the film where the story is the hero and this fact has been proven now," Annu said in a statement.

"Shoojit has done a brilliant job with the story and everyone who was a part of this film is a winner," he added.

Filmfare was Annu`s second award for his ‘Vicky Donor’ role of a funny and obsessive doctor who arranges sperm donors for those couple who are unable to have children.

Earlier, he won Screen Award for the best actor in a comic role for the same film.

An equally talented host, known for anchoring shows like ‘Antakshari’, the 56-year-old actor will next be seen in ‘Yamla Pagla Deewana 2’ alongside three Deols - Dharmendra, Sunny and Bobby.

"I am willing to Entertain the people all the time as long as one character is different from another and makes me want to portray it," said Annu.

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Inkaar : Movies Review

Cast: Arjun Rampal, Chitrangda Singh, Vipin Sharma
Direction: Sudhir Mishra
Rating: ****

Sudhir Mishra’s ‘Inkaar’ is an intriguing tale about office romance, professional jealousy and sexual harassment at the workplace. It could have been a tedious linear narrative but the director’s layered approach keeps the viewer hooked till the very end.

Maya Luthra (Chitrangda Singh) is a small-town girl who comes to Mumbai aspiring to make it big in the advertising world. Rahul Verma (Arjun Rampal), CEO of the company mentors her as she begins her climb up the ladder in the professional world. They have a brief affair which soon falls apart. A few years later when she is back in the city as one of the board of directors of the company, there is a clash of ideas and egos between the lead pair. A sexual harassment case ensues but it is difficult to take sides as you hear both sides of the story and realize that this is a not a simple open-and-shut case. The film manages to draw you in and keeps you engaged as you try to figure out whether Maya is really a victim or just a women scorned seeking revenge aka Demi Moore style (Disclosure)? Is Rahul really innocent or is he just too suave to get caught?

Sudhir Mishra deftly plays with the greys in this story steering clear of any form of titillation. He addresses stereotypes that exist in every work environment but at the same time doesn’t reinforce omnipresent Bollywood stereotypes like a compulsory gay character or ambitious women with no morals. While the story switches between the perspectives of the two lead characters, the director manages to step back and remain detached to the extent that his portrayal is in no way biased towards either sex.
What works for ‘Inkaar’ is the solid performances by the lead characters and the supporting cast. Arjun might not been very strong in the emotional bits but he delivers one of his best performances till date. Chitrangda looks and acts sharp, it’s a pleasure to watch Vipin Sharma, Deepti Naval and Kanwaljeet on the big screen after quite a while. Shantanu Moitra music is as usual peppy and hummable.

This one is Definitely a Must Watch.
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Matru Ki Bijlee Ka Mandola | Movie Review

 (Comedy/ Drama)Saibal Chatterjee

Cast:- Imran Khan, Anushka Sharma, Pankaj Kapur 

Director:- Vishal Bhardwaj

SPOILERS AHEAD 

A stationary stretch limo parked on a desolate farmland revs up and drives right through a ramshackle liquor kiosk, bringing the structure down in a mangled heap. The owner flees and two men – the car driver and his inebriated master – ransack the shop and make off with as many bottles of a local brew as the vehicle can hold. 

That – the opening sequence of Matru Ki Bijlee Ka Mandola – sets the tone for the rest of the film. It is a wild, wacky, wicked satire that carries the unmistakable Vishal Bhardwaj signature. But it leaves you with mixed feelings.

It isn’t a big, bloated blockbuster wannabe. It has its daring share of moments that defy popular expectations. 

It is a spirited comedy that has its heart in the right place. It has something to say about what is going on in this country in the guise of a skewed development model in which farmers thirst for electricity to irrigate their land while humongous shopping malls a few kilometers away glitter all day long. 

Unfortunately, Matru Ki Bijlee Ka Mandola is a bit like the micro light two-seater that one of the three eponymous characters, driven by drunken bravado, decides to pilot. Sure enough, it crash lands because his flying wherewithal is limited to getting the aircraft airborne – he has no idea how to bring it back to terra firma. 

Bhardwaj’s first all-out comedy faces pretty much the same plight. It soars and hits the high gears with aplomb, but does so only occasionally. The eventual landing resembles a nosedive more than anything else. If not an outright wreck, the result isn’t always a pretty sight. 

Matru Ki Bijlee Ka Mandola is Bhardwaj’s most political film to date. It tackles the sombre theme of political corruption and capitalist greed against the backdrop of a small Haryana village fighting to save its arable land from being acquired for a proposed special economic zone. 

But much of the political posturing that the script is built around is at best superficial and unsurprising. The humour is laboured at times and the potshots the film aims at a system that thrives on unbridled abuse of power and pelf is often rather feeble. 

Despite the uneven quality of the ambitious narrative, Bhardwaj packs in just about enough quirky energy to make Matru Ki Bijlee Ka Mandola generally watchable.

The film blends the freewheeling air of a nukkad natak with structured elements of Shakespearean drama and epic Greek theatre to deliver a surreal tale that borders on burlesque. 

Matru Ki Bijlee Ka Mandola is marked by an adventurous streak that is commendable: Bhardwaj pushes the goofy storytelling style all the way through to the bitter end. It is another matter that the strategy boomerangs frequently. 

The characters and their wayward ways are only mildly interesting. A pink buffalo haunts Harry ‘Moneybag’ Mandola (Pankaj Kapur) when he is sober. It strays into his bedroom, plonks itself beside him and flashes a grin. 

The cranky old man turns into a socialist with a bleeding heart when he is high. Mandola even leads a protest march against himself only to suffer an abrupt change of heart when dawn breaks and his hangover subsides. 

Set up against him is a rustic incarnation of Mao, a man the villagers have never seen. In apparent absentia, he spearheads the agitation against the conspiracy to forcibly acquire fertile agricultural land. 

Mandola’s sidekick, Hukum Singh Matru (Imran Khan), is a JNU-educated son of the soil who takes up cudgels on behalf of the long-suffering peasants when he is allowed a long enough rope by his crotchety employer. 

Mandola’s daughter, Bijlee (Anushka Sharma) – we see her for the first time emerging suggestively from a pond as hordes of villagers sit around watching the spectacle – is a bit of a temperamental termagant given to mood swings. 

Bijlee is engaged to the buffoon-like son (Arya Babbar) of a Chaudhary Devi (Shabana Azmi), a powerful politician who is desperate to make a fast buck by fast tracking Mandola’s plans to set up a factory in the village. And Bijlee’s hemming and hawing is a pretext for a love triangle that ends with a messy wedding. 

The red rag on which the shadowy Mao writes his agitprop edicts is contrasted with the colour pink that suffuses the film. The desi daru that Mandola consumes is called Gulabo and is sold in a pink bottle. Sadly, the splash of colours does not seep deep enough to make a lasting impact.

Matru Ki Bijlee Ka Mandola is hurt the most by the erratic performances of the lead Actors. Imran Khan and Anushka Sharma, playing villagers who have been educated in the big city, are anything but consistent with the Haryanvi patois and accent. 

Pankaj Kapur is the pivot of the film. However, his character is over-wrought, if not over the top. 

The actor pushes himself as far as he can within the limitations imposed on him by the screenplay, but this performance of his is unlikely to rank among his best. 

There are moments when Kapur is delightfully droll, but he often lapses into the unintelligible, especially when Mandola sinks into a drunken stupor. 

Shabana Azmi is saddled with what is almost a walk-on part. There isn’t much she can do to add value to the mix.

Be that as it may, I would still recommend Matru Ki Bijlee Ka Mandola. 

Few filmmakers in Mumbai engage with ideas and issues of contemporary relevance as felicitously as Bhardwaj. He might have fallen short this time around, but even when he is not at his best, he is infinitely better than most in the business. A director who does not fear failure merits our support.Get More Latest News and Daily News Updation Visit Daily our Blog,
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10 SEO Techniques

We Recently discussed the 15 Key Elements All Top Web Sites Should Have. This post focused on elements relating to design, content and development. This time, we’ll move onto the important issue of Search Engine Optimization (SEO). SEO is such a hot topic these Days. 
How do you get your web site within the first page or two of the search engines?
How do you increase your Google page rank?

However, there are some simple things you can do when building your site that will help increase your chances of having good results. In no particular order, below are 10 of these items…

1. Title Tag
Near the very top of a web site’s source code you’ll find various meta tags — the standard ones being the Title, Description and Keyword tags. The title tag is technically not a meta tag, though it is commonly associated with them. The title tag plays such a large role in the indexing of your web site, that it is considered the most important of the three.

A Page Title is the first thing a search engine will look at when determining just what the particular page is about. It is also the first thing potential visitors will see when looking at your search engine listing.

It’s important to include a keyword or two in the title tag — but don’t go overboard – you don’t want to do what’s known as “keyword stuffing” which does nothing but make your web site look like spam. Most people will include either the company name, or title of the particular page here, as well.

2. Meta Tags
There are two primary meta tags in terms of SEO — the description and the keyword tag. It’s debatable whether the search engines use the description tag as far as ranking your results. However it is one of the more important tags because it is listed in your search result — it is what users read when your link comes up and what makes them decide whether or not to click on your link.

Be sure to include a few relevant keywords in this tag, but don’t stuff it with keywords either. The description tag should read like a sentence — not a keyword list.

3. Proper Use of Heading Tags
This is a very important element to consider when writing out your site copy. Use of heading tags helps users, web browsers and search engines alike know where the major key points of your copy are.
Your main page title should use the <h1> tag — this shows what your page is about.
Use of additional tags, such as <h2> and <h3> are equally important by helping to break down your copy. For one, you’ll see a visual break in the text. But as far as the search engines are concerned, it will automatically know what your topics are on a page. The various heading tags give a priority to the content and help index your site properly.

4. Alt Attributes on Images
Putting alt attributes on your images actually serves two purposes. In terms of SEO, putting a brief yet descriptive alt attribute along with your image, places additional relevant text to your source code that the search engines can see when indexing your site. The more relevant text on your page the better chance you have of achieving higher search engine rankings.

In addition, including image alt attributes help the visually impaired who access web sites using a screen reader. They can’t see the image, but with a descriptive alt attribute, they will be able to know what your image is.

5. Title Attributes on Links
Including title attributes on links is another important step that any good web site will have. That’s the little “tool tip” that pops up when you place your mouse over a link. These are especially important for image links, but equally useful for text links.

As a note, you should use descriptive text for your links. “Click here” doesn’t really tell a person – or more importantly, the search engines — what the link is. At the very least put a title tag that will explain that “Click Here” really means “Web Design Portfolio” for example. Better yet – make the main link text something like “View my web design portfolio” — this will give some value to the link showing that the resulting page is relevant to searches for portfolio’s.


6. XML Sitemap
My last post referenced the sitemaps used by web visitors to help them navigate through your site themselves. However, there’s another version — XML sitemaps — that are used by the search engines in order to index through your site, as well.

This list of ALL pages / posts / etc. of your site also includes information such as the date the page was last modified, as well as a priority number of what you feel the most important pages of your sites are. All elements that help the search engines properly find and link to all content of your site.

7. Relevant Content
Having content relevant to your main page or site topic is perhaps the most important SEO aspect of a page. You can put all the keywords you want in the meta tags and alt image tags, etc — but if the actual readable text on the page is not relevant to the target keywords, it ends up basically being a futile attempt.
While it is important to include as many keywords in your page copy as possible, it is equally as important for it to read well and make sense. I’m sure we’ve all seen keyword stuffed pages written by SEO companies that honestly don’t make much sense from the reader’s point of view.

When creating your site copy, just write naturally, explaining whatever information you’re discussing. The key is to make it relevant, and to have it make sense to the reader. Even if you trick the search engines into thinking your page is great — when a potential customer arrives at the site and can’t make heads or tails of your information and it just feels spammy to them — you can bet they’ll be clicking on the next web site within a matter of seconds.

8. Link Building
We’ve probably all heard of Google Page Rank — it seems to be every web site owner’s dream to have as high a page rank as possible. While the algorithm for determining page rank encompasses many elements, and is constantly changing, one item is the number of links pointing to your web site.
Now, you’ll want to steer clear of link farms and other spammy attempts at getting links to your site. However there are many reputable and niche directory sites that you can use to submit your web site, or specific blog articles to.


9. Social Media
Although technically not SEO, Social Media is such a growing factor in getting your web site noticed, that it’s an important element to include in your plan.
Social media ranges from social networks like Twitter, Facebook and LinkedIn — to social bookmarking sites such as Delicious, Digg, StumbleUpon and many more. There is a lot of relationship building involved, but as you build your own networks and build quality content on your web site or blog, you’ll see traffic to your web site increasing, as well.

10. A Few SEO Don’ts — Flash & Splash
Along with any list of Do’s come the Don’ts. As far as SEO is concerned, two of these items are splash pages (often consisting of a flash animation) and all flash web sites.
Yes, flash is pretty! Full flash web sites can actually be amazing to look at — their own bit of interactive artwork. But unfortunately the search engines don’t get along well with Flash. Although there is talk of possible advancement in this area, for the most part the search engines cannot read Flash.

A good alternative to both issues is to make use of a flash header. There’s no problem to include a flash animation at the top of your main site, or as a feature within the content area, etc. Because this is an addition to your web site, as opposed to a full separate element.

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Top 5 Smartphones Approximately Rs. 10,000 Mark

If you were planning to buy a Smartphone Under Rs. 10,000 a couple of years ago, then there were only a handful of options that were offered.
Moreover, those few handsets too were not actually valuable of the tag 'smartphone'.

However, things have changed noticeably now. There are not only Indian brands that are trying to get reasonable, feature-packed smartphones to the Indian masses but even companies such as Samsung, Sony and Nokia are trying to make sure that they address the needs of price sensitive consumers.
Given that it's now getting complex for one to pick up the right smartphone, this gifting season we bring you the list of Top Five smartphone under the Rs. 10,000 price set that are presently available in the market.

1) Samsung Galaxy Music Duos

Samsung had started selling smartphones at the fag-end of December for Rs. 9,199 through its official store. However one can find it on some of the leading online retail websites for Rs. 8,990.

Samsung Galaxy Music Duos is a dual-SIM (GSM+GSM) smartphone that comes with 3.0-inch QVGA screen. Other features of this smartphone include 800MHz Qualcomm Snapdragon, 512MB RAM, 4GB internal storage (expandable by another 32GB) and Android 4.0 (Ice Cream Sandwich). It comes with 3-megapixel rear camera and a 1300mAh battery. It is available in two colour options Ceramic White and Splash Blue.

Samsung in October 2012 had announced Samsung Galaxy Music (Single SIM version of this smartphone), but there's no word yet on when that'll be launched in India.

2) Sony Xperia tipo/ Sony Xperia tipo dual

Sony had launched Sony Xperia tipo and its dual SIM variant Sony Xperia tipo dual in September 2012. Sony Xperia tipo is now available at a street price of Rs. 8,990 and Xperia tipo dual for Rs. 9,990.

Sony Xperia tipo sports a 3.2-inch TFT display with 480x320 pixel resolution. It is powered by is 800MHz Qualcomm Snapdragon processor and run on Android 4.0 (Ice Cream Sandwich). Other features include 512MB of RAM, 2.5GB of internal storage (expandable up to 32 GB via microSD). There is a 3.2-megapixel autofocus rear camera on board.

3) Nokia Lumia 510

Nokia Lumia 510 is the cheapest Windows smartphone available in the market. It carries the price tag of Rs. 9,999 and comes with a 4-inch WVGA screen. It is powered by 800MHz Qualcomm processor along with 256MB RAM and 4GB internal storage. There is a 5-megapixel rear camera on board.

The only read drawback for this smartphone is that it runs on Windows Phone 7.5, and will get an upgrade only to Windows 7.8, which means no Windows 8 for this baby.

4) BlackBerry Curve 9220

Launched in April 2012, BlackBerry Curve 9220 is an interesting smartphone to look at especially if you want to connect with their BlackBerry Messenger Gang. Available for Rs. 10,990 this is slightly above our cut-off, but worth looking at nonetheless.

Some of the notable features of this smartphone includes 2.44-inch TFT Screen, 2-megapixel camera, 1450 mAhbattery, 512 MB internal memory (expandable up to 32 GB via microSD). BlackBerry Curve 9220 is powered by 800 MHz processor with 512MB of RAM.It runs on BlackBerry OS 7.1 but given that BlackBerry will soon be unveiling a brand new operating system BlackBerry 10 on January 30, this smartphone and all existing counterparts will likely become obsolete very soon.

5) Micromax A110 Superfone Canvas

If you are looking for an affordable big screen smartphone, then Micromax A110 Superfone Canvas 2 is an enticing option. It sports a 5-inch TFT capacitive touch screen IPS display and powered by a 1GHz processor. The other features of this smartphone are 2GB internal storage (expendable,by 32GB), 2000 mAh battery, 8-megapixel auto focus camera and a VGA front camera.The smartphone is available at a street price of Rs. 9,999 and runs on Android 4.0 (Ice Cream Sandwich).

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